A widow struggling to readjust to a life of grief unexpectedly meets a woman whose presence is transformative.
Social & External
Angel
Rich
Bathsheba
Ingrid (voice)
Errol (voice)
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
A painter in a creative crisis gets help from a monster behind a door in her studio.
Hector's father just died. His girlfriend just left him for an older man and returned to her parents' home, taking their eleven-year-old sons to meet her "new" father. Hector is drunk and is wearing light cavalry armor borrowed from an ambulance driver he knows. There is a medieval festival going on and the town gets on fire.
One last desperate chance of redemption.
A young girl grapples with the sudden loss of her grandparents and uncle.
A dreamy girl goes through puberty evading the loneliness and pressure of her environment until in just one night, treason and harassment lead her to big disappointments that push her to grow up abruptly.
When his business partner retires, an overly-attentive cafe owner, embraces the challenge of working solo.
Austin, a young musician, reminisces on the final hours with his best friend Chimmy; and the continuous anxiety from their volatile manager Leo.
Meet Pietro Angeli, a man haunted by a tragedy in his past, and Chan, a prostitute in search for a better life. Both alone in the crowd and constantly seeking for redemption. Maybe, despite everything, it's never too late to start dancing again.
Two men carry a palm tree through an endless desert to an unknown destination. Los Hervideros (Seething with Rage) is an audiovisual parable about the origin of human conflicts.
Two friends enter an Emergency Room, seeking help after an incident. They will find themselves living a series of surreal experiences through the eccentric characters that populate the waiting room. But will they get the help they need?
Antonia and Zeno struggle with their marriage during a surreal dinner - while a mysterious Aztec whistle seems to be influencing their actions.
Through her stream-of-conscious testimony, 40-something widow, Tomoko Tanai, recounts her experience of dating a man 15 years her junior, Satoshi, a handsome prince-charming who may not be what he seems.
A 12-year-old girl goes on a car ride with a man she met online to prove she is not a child anymore.
In Madrid, during a popular festival, Don Paco, the owner of a freak show called The Palace of Wonders, has to deal with the demands of Levinsky, a sinister character who apparently has something to hide…
A top Marine sniper, Bob Lee Swagger, leaves the military after a mission goes horribly awry and disappears, living in seclusion. He is coaxed back into service after a high-profile government official convinces him to help thwart a plot to kill the President of the United States. Ultimately double-crossed and framed for the attempt, Swagger becomes the target of a nationwide manhunt. He goes on the run to track the real killer and find out who exactly set him up, and why, eventually seeking revenge against some of the most powerful and corrupt leaders in the free world.
The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.
Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank's occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees' removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?
The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)
