"vv"
An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.
Social & External
Self
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
An urban essay film searching for meaning and philosophy: "When you enter an existential crisis, all filters fall. Reality is shaded in low contrast, low key, foggy. Every outside signal grinds down mind and teeth and gets caught in a feedback loop. Every thought is a downward spiral."
Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.
Experimental short film showing a single 10-minute shot of the sky.
The audience is taken through a range of years through archival footage exploring the ups and downs of our lives and the thing that connects us all, love. Seven interview subjects: a philosophy professor, a film professor, a humanities professor, a retired lawyer turned archivist, a volunteer, a dance student, and a fashion student, explore their backgrounds with religion, their current personal philosophies, whether or not they believe we have a purpose, or if the things we do have any meaning at all. Eventually everything wraps back around to love.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.
An experimental video collage piece that investigates the concept of self-destruction across genres, eras, and cultures. Features footage from Abbas Kiarostami's Taste of Cherry (1997), Satyajit Ray's Apur Sansar (1959), Charlie Chaplin's City Lights (1921), and Jeff Tremaine's Jackass 4.5 (2022), among others.
A walk in the woods become a metaphoric journey in Chloé Leriche's short film. As a solitary figure moves through the forest, the texture of stone, the movement of water, all the infinite pageantry of the natural world is captured in its richness and detail. With the help of an orchestrated soundscape and composed cinematography, Blue Suns catches the miracle and mystery of this world as it unfolds.
Foreign Names focuses on the worker displacement in a compilation of video clips from Aroma, a coffee shop chain. Ben-Ner’s video shows counter staff at the coffee shops yelling nonsensical English “names,” fabricated and given to them by the artist. The texts edited together become a lament of the waiters’ disappearance and the state of workers today.
A love letter from an American soul to the city of Lisbon.
A short documentary about the life work and philosophy of William Blake featuring an interview with John Higgs.
A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sleeping city's tumultuous recent history through a recollected interaction and a plea for continued disturbance. Twin City Twist was shot on Kodak Tri-X reversal super 8 film with kaleidoscopic lenses. The film was scanned and edited digitally.
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
The film follows Tarcísio Amaro, a retired miner living in the vicinity of Serra da Estrela, interweaving thoughts on the past and the present, and looking at the decline of rural life in the deserted Portuguese hinterland.
A dreamlike and hallucinatory dive into the depths of the human psyche.
100 years ago an event happened that changed the world. Upwards of 70,000 were gathered in the little village of Fatima, Portugal. They were told, by an apparition that had appeared to three children—what many believed to be Mary of the Bible—that a miracle would occur. Something happened on October 13, 1917 and thousands of people witnessed it… It was called, The Miracle of the Sun.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.