This film depicts the complete life of Sri Rama.
Social & External
Rama
Sita
Ravana
Hanuman
Dasharatha
Bharatha
Shabari
Meghananda
Sri Rama Pattabhishekam (Coronation of Lord Rama) is a 1978 Indian Telugu-language Hindu Epic film directed and produced by N. T. Rama Rao. King Dasharatha's queen Kaikeyi makes unusual demands to thwart the coronation of Lord Rama as king of Ayodhya. As a result, Lord Rama is forced to undergo several challenges.
The film depicts the life of Lord Rama from birth to his marriage with Seetha.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
In Ayodhya, the royal palace of Kosala Kingdom in Ancient India, four princes were born to three queens, each of whom grew to great stature. Banished for 14 years due to court intrigue, Prince Rama retreated to the forest with his beautiful wife Sita. When Rama vanquishes the demons of the forest, he invites the wrath of the demon king Ravana, who kidnaps Sita. Based on the Indian epic the Ramayana.
'Jahan Jahan Charan Pade Raghuvar Ke' is a 26 episodes docu-web series based on the 14 years exile of Lord Rama. It's a spiritual journey from Ayodhya to Lanka covering 200+ locations, exhibiting all those places where Lord Shri Ram visited and stayed during his 14 years exile, such as Chitrakoot, Panchvati etc. The web series is produced by Pomy Films. It is hosted and directed by the International award winning movie director Sunil Babbar.
Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.
Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.
A young Italian-educated Libyan nobleman is summoned to fight for the Ottoman Empire in 1911.
Benyamin, a laundryman and lenong player, is a neighbor of Mimin, a widow who lives with her sister Aida. The noisy lenong practice activities often cause the two neighbors to quarrel, although they later make peace. Meanwhile, Benyamin falls in love with Ellya, an old spinster, the daughter of Mr. Hamid, the owner of the rented house where Benyamin lives. This relationship is not approved by Mr. Hamid who considers lenong players to be lowly in dignity. When Mr. Hamid begins to have a crush on Mimin, Benyamin uses this as a weapon to soften Mr. Hamid's heart.
The foreign girl Hilda falls for Shafik, a Bedouin young man who lives in a village in the desert. When his uncle Abdel Qader is killed, the villagers accuse Shafik of killing him and he is forced to flee into the desert with the members of a gang that he joins.
A woman falls in love with a man, but is wronged by him and his brother. She then tries to exact revenge on him, his brother and his new lover.
Set during the 1939–1940 Winter War, the film follows a group of young women from Leningrad who volunteer for service at the front. Working as nurses in hospitals and on the battlefield, they devote themselves to saving the lives of wounded soldiers, while also taking up arms alongside the men in combat. Through hardship and sacrifice, their courage forges bonds of friendship and love that endure amid the trials of war.
The girl is very fascinating and unaware. The great tentacled city will give her unpredictable surprises and she won't be afraid to taste them day by day.
Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.