Social & External
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Two guys coming up together for an idea for a short films
11-year-old Leo has to deal with her depressive father while secretly falling in love with her best friend Isabell. Slowly she realizes that she deserves to be free despite her father's illness.
Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
In the midst of a deadly outbreak, a man returns home in search of family.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
Madrid, Spain. A mutilated man, a war veteran, walks, leaning on a crutch, through the stadium of the Ciudad Universitaria, a place that still preserves in walls and buildings the terrifying traces of one of the bloodiest battles of the Spanish Civil War.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Olia and Zina are sisters. Olia has a husband and children. Zina has a parrot and a cat. Olia moved to Germany, she couldn’t handle her mother who was dying of terminal illness. Zina has left her art career and dedicated herself to mother. Both of the women suffer from insults, innuendos, and self-reproaches. They’re parted by borders and social status. But there’s still something that urges them to arrange a meeting, even if a meeting is going to be virtual. And there’s still something that saves them from tragedy that is about to occur during their meetings.
Being scolded while playing, three children plot small revenge on an old lady. A decision they regret later.
Pierre is a very shy man in his sixties, with no family or friends and who just retired. What will he do now?
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
Featurette about the filming of Durchs wilde Kurdistan and Der Schut
Branda has hit rock bottom. Her addiction has spiralled so far out of control that medical intervention is the only option left. She's forced to confront her darkest demons in order to lick her deadly appetite, and must apply all 12 steps to her four stomachs - Branda is a cow addicted to eating plastic bags. It's easy to find humour and irony in Branda's toxic lifestyle, harder to admit that we're the ones being ridiculed.
A young boy's life is changed by a chance encounter with an out-of-luck musician. When a gang of local criminals turns up, the day takes an unexpected turn.
A teenager's perspective of the world around her begins to shift as she is confronted with its capacity for injustice.
A movie about looking for the main substance.
Armand is a pickpocket. In stealing a camera, he did not expect to discover his portrait, pris sur le vif.