Behind the scenes of Olaf Ittenbach's 2001 thriller
Social & External
Self
Written and directed by Jason Young (Animals, Inside Time), Gun Killers takes us into the rural, secluded paradise that retired blacksmiths John and Nancy Little call home. As the tranquil light of a typical day of harvesting vegetables descends into night, we experience the secret work that John and Nancy are sometimes called upon to undertake for the RCMP.
Wild Ocean is in an uplifting, giant screen cinema experience capturing one of nature's greatest migration spectacles. Plunge into an underwater feeding frenzy, amidst the dolphins, sharks, whales, gannets, seals and billions of fish. Filmed off the Wild Coast of South Africa, Wild Ocean is a timely documentary that celebrates the animals that now depend on us to survive and the efforts by the local people to protect this invaluable ecological resource. Hope is alive on the Wild Coast, where Africa meets the sea.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
A large immigration raid in a small Tennessee town leaves emotional fallout as well as far-reaching questions about justice, faith and humanity.
Beginning with Noam Chomsky's response to a college student who role-plays "Jane U.S.A."--someone who naively believes she lives in a democratic society in which she can create her own destiny--the viewer is presented with a cross-section of typically lively Chomsky encounters. Central to a functioning democracy is the necessity of free access to information, ideas and opinions. But what should be our democratic right turns out to be limited and shaped by the biases of insitutions and ideologies within the mass media. Chomsky shows how governments, corporations and other elites manufacture the consent of the public to serve their interests.
The nuns of the Anglican Benedictine Community at St. Mary's Abbey, West Malling, reflect on their calling and the joys and challenges of their way of life. In this short documentary, directed by Jamie Hughes, the nuns' voices are complemented by images from the life of the Abbey.
Horror stars are interviewed about their craft and films. Included on Severin Films' "Eurocrypt of Christopher Lee Vol. 1" collection.
Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
Immersion in Mustapha's mind during the lockdown period.
Documentary about the making of John Carpenter's sci-fi horror movie, Ghosts of Mars.
The lives of Jeff, Lauren and Lloyd—three very different people who share one common experience—have been transformed by speaking up for mental health. These inspiring stories depict what mental health in America really looks like and highlights just how important it is to speak up and seek help.
Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.
Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.