A young woman loses her umbrella in a café altering her perception of the world forever.
Social & External
Umbrella Thief
Philosopher
Unknown Role
Tramp
An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.
Connor Domus (a man called 'Condom' for short) has all the trappings of domestic bliss at his disposal. He has a Donna Reed-esque wife, a nice house, and plenty of cigarettes and scotch. But he also has a secret mission bestowed to him at the dying request of his mother - to keep the world 'safe,' no matter what the cost. Whenever Condom observes something that challenges that mission - be it food preparation or the sexual indiscretion of a sorority girl - a revolver and a trademark prophylactic is all he needs to right that wrong. The burden proves to be too great for Condom, who becomes notorious for his slayings across LA. He is known to the papers only as 'The Condom Killer' - and he eventually becomes victim to his wife's own (instantly regretted) attempt at seeking justice. Once one learns the story of a man with a burden so uniquely all-encompassing, they'll never see 'protection' the same way again!
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
Short film about a day in the life of the world's unluckiest man.
A Pixar short about a lost-and-found box and the unseen monster within.
A broken computer keyboard gives the office loner a chance to undo his life's mistakes.
Gussle Rivals Jonah is a silent comedy
Plump and Runt are street musicians who are rivals for Florence's affection.
A family lives in a house that teeters precariously on the very tip of a mountain. The balance of the house is affected not only by the family that lives inside, but also their cow, dog, cat, a passing bird, and a man with a couple of sheep who returns in a car. The slopes of the hill themselves also seem rather slippery at times.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
In this Our Gang film, James Finlayson plays the gang's schoolteacher who takes the kids to Europe after winning a local contest. He takes them on a tour of Naples, Pompeii, Rome, the Vatican, Venice, London, and finally Paris, where problems arise on top of the Eiffel Tower.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
Tom is wooing Toots; he presents her with a present - Jerry. But Toots would rather play mother to Jerry than eat him, much to Tom's annoyance.
Corn on the Cop is a 1965 Merrie Melodies short directed by Irv Spector and starring Daffy Duck and Porky Pig. On Halloween night, a robber disguises himself as a little old lady and goes on a crime spree. The police, including Daffy Duck and Porky Pig, search for the robber but end up tangling with the real Granny instead.
The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.
It's the middle ages (sort of); Popeye is working in Bluto's Beanery. Bluto is going to the ball where Princess Olive will choose her mate. Popeye's fairy godpappy appears and it's a reverse Cinderella story, with a car created from a can of spinach.
Bugs is provoked by a pack of foxhounds and their hunters stampeding over his hole, so he gets out his Halloween costume from last year (a fox suit) and sets out to lead the dogs on a merry chase. The stupidest of the dogs, whose objective is to cut a fox's tail off, becomes his main victim; Bugs tricks him into chasing a train instead. He eventually tricks the dog pack into running off a cliff, but the stupid dog ends up with Bugs' tail.
Gabby is a servant in a castle and is required to do a little housework.
Lazy black folks in Lazy Town (Pop. 123½) are napping and attracting flies. They are so lethargic they even fight in slow motion. Then a riverboat arrives with a red hot mama on board. Faster than you can say "Jim Crow", she has everyone moving to a Harlem boogie beat, dancing, scrubbing clothes, and eating watermelon. As the boogie-woogie comes to a close, Mammy hoists her skirt. Her big bottom reads "The End".
In an effort to impress Darla, Alfalfa tells her that he's a famous bear trainer. Little does he know that Darla's father owns a circus - and a bear costume. It's time for everyone to uncover the "bear facts".
In a new video for the Criterion Channel on FilmStruck, Marvel Comics mastermind Stan Lee talks about his friendship with Alain Resnais.
The female protagonist finally makes it to get a job as an intern. But after a while working at this weird company, she finds out the criminal site of it and learns to be a criminal herself.
A lonely old man takes to terrorizing the kids who build a football pitch next to his house.
Carlos and Roque, two high school friends, play on the same soccer team. After an unexpected rapprochement between the two, Carlos doubts about his sexuality, rejects Roque's friendship and forces him to keep quiet. From this moment on, Carlos faces the difficult circumstance of making a decision whether or not to save his friendship.
Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.
An extended live set comprised of many of Malmsteen's hits along with his two legendary guitar performances ("Black Star" and "Far Beyond the Sun").
When Clara Brand discovers that her husband is cheating on her with her friend and colleague, she plots her revenge, all the while juggling new friendships, new romances and the rediscovery of her passion for food.
Night has fallen. A thunderstorm approaches. In a lonely house a young woman mourns her deceased husband. In the cemetery across the street the shape of a man rises from a grave...
A short documentary about the intricate nativity scenes of Michele Pascuzzi.
British Gangster film with a tongue-in-cheek approach to the genre, including a part played by 'Mad' Frankie Fraser. When Tone's ex girlfriend resurfaces with a daughter he never knew he had, he moves from the world of blackmail, extortion and the occasional hit into the realm of nappies and lullabies. His pals, Speed and Bear, feel let down, but his employer Pops Den is furious and decides the best thing to do is wipe Tone out...but who will do it...and at what price?
A smug executive enjoys the perfect life - until he loses his job, and finds himself working at a burger joint. Now he's falling behind on his bills, and if something doesn't change soon, his family could lose everything by Christmas.
Rebekah Vardy goes on a personal journey through her difficult history with the Jehovah's Witnesses, meeting former members and uncovering secret documents.
A wife discovers that her husband is cheating on her. Enraged, she puts together a plan to take her revenge on him. What she doesn't know is that her husband has a similar plan in mind for her. What neither one of them knows is that someone else has the same plan for both of them.
Documentary which highlights cockney duo Chas & Dave's rich, unsung pedigree in the music world and a career spanning 50 years, almost the entire history of UK pop. They played with everyone from Jerry Lee Lewis to Gene Vincent, toured with The Beatles, opened for Led Zeppelin at Knebworth - and yet are known mainly just for their cheery singalongs and novelty records about snooker and Spurs. The film also looks at the pair's place among the great musical commentators on London life - and in particular the influence of music hall on their songs and lyrics. The film crew followed Chas & Dave on their final tour, having called it a day after the death of Dave's wife, and blends live concert footage with archive backstory, including some astonishing early performances and duets with the likes of Eric Clapton. Among the experts and zealous fans talking about their love of the duo are Pete Doherty, Jools Holland and Phill Jupitus. Narrated by Arthur Smith.
"Há terra! is an encounter, a hunt, a diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey."