"fall."
a glimpse of fall.
Social & External
The Camera Man
the poster person
Changing colors according to the music.
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.
Tipper performed an All Original set of his own ambient music at the Chapel of Sacred Mirrors. 150 blessed souls braved the snow, and attended from as far away as Salt Lake City for this occasion. Alex and Allyson Grey painted live, and Johnathan Singer presented this Visual Manipulation of their work in real time with Tipper. This is the re-creation of their performance together that one amazing night... please enjoy!
Denis Lavant reads long passages from Luis Buñuel's semi-autobiographical "My Last Sigh". From this text, without film excerpts, Laurence Garret travels in the footsteps of Buñuel, from Calanda to Zaragoza, Madrid to Toledo, Spain to Mexico.
The camera slowly pans through a room as Smolders offers various observations and memories.
A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera
Rarely in the history of the cinema, a company films productions will have marked the history and the culture of its country like "Svensk Filmindustri". Since its creation in 1919 by Charles Magnusson, Svensk Filmindustri have produced 1200 films including the major works of Mauritz Stiller, Victor Sjöström and Ingmar Bergman. The uncontested talent of the actresses Greta Garbo and Ingrid Bergman have given Swedish cinema a world recognition, a cinema that celebrates the power of the forces of nature, and where the inner life of its characters remains in our memories.
Life in a rural area in Spain where the sole source of income is the physically gruelling labour of salt mining.
The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.
"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956
Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this music-driven space adventure presented entirely through the use of close-up photography.
After failing to make it big as a rock band, four Indian Americans in 1960s San Francisco attempt one last rebrand to ride the hippie wave and finally get their big break.
On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.
Documentary made in two parts by Luciano Berriatúa. This first part focuses on childhood, personal life and the early works in films by German director F.W. Murnau.