Documentary about behind the scenes of Pabllo Vittar's highly anticipated show at the first edition of The Town, in São Paulo.
Social & External
Self
Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991
Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.
F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.
A 1991 short musical film directed by the very talented Bob Frame at a nightclub in the West 40s in Manhattan, starring Lypsinka (John Epperson).
From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire. The movie displays briefly one of the greatest controversies surrounding Ney Matogrosso, accused of copying the rock band Kiss. It's actually the other way around. Secos & Molhados was officially formed in 1971, though the band was performing together since the late 60s and was already known for their make-up. KISS came around years later, in 1973.
Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.
Two world Famous drag queens Trixie And Katya go on a world tour to show their excellence
From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.
Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
After accidentally witnessing a mafia hit in the Windy City, gal pals Connie and Carla skip town for L.A., where they go way undercover as singers working the city's dinner theater circuit ... disguised as drag queens. Now, it's not enough that they become big hits on the scene; things get extra-weird when Connie meets Jeff -- a guy she'd like to be a woman with.
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
A short film documenting street protests against the filming of William Friedkin's Cruising (1980)
Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.
Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.
Baltimore-based drag queen Shaunda Leer (Scott Murdock) discusses why she's chosen to perform in drag for over ten years. She also recounts several stories about her family relationships and concerns about her physical safety as a member of the GLBTIQ community.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
We are living in the time of a heteronormative society that antagonizes Queer people for their Being-ness. In Africa, it is believed that we are un-African to Proudly be Our LGBTQIA+ selves. In this short documentary, we share with you researched origins of modern homophobia and queerphobia, while exposing hidden truths about the English bible. The short is a testament to the harmful effects of colonialism and the dangers of religious indoctrination. This film offers audiences the opportunity to question what we have been told to believe is true about queer people.
The drag queens of the La Sirène à Barbe cabaret put on a grandiose show of song, circus and dance, the likes of which Dieppe has never seen before. Erwan, a local fisherman, is spellbound. He ventures into their world of joy and celebration and discovers, behind the costumes of the stage characters, tormented, lonely, over-sensitive human beings ready to do anything to carry this project as far as possible. It's a portrait of a small port town inhabited as much by gloomy daily lives as by extraordinary destinies.
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