Here begins the land of phantoms.
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A man in need of help eventually receives it, whether he asks for it or not.
A tragic story of a musician taking a bold voyage in the pursuit of creation, ambition, and need. Letting life choose for him, as part of the art itself and coming to terms with his decisions.
A strange and dark road trip to destinations unknown.
THE ULTIMATE GORE MIXTAPE! 75 minutes of non-stop gore mayhem accompanied with plenty of death, grind and hardcore around the ears! This mixtape contains footage from over 200 different underground horror movies, some so obscure that they have yet to surface online! A must-see for gorehounds!
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.
Light your black candles and start the chant! Culled from 16mm prints found in Something Weird’s attic, SMUT WITHOUT SMUT: SATANIC HORROR NITE is an exclusive feature-length mixtape curated by the Lucifer-worshipping maniacs at the American Genre Film Archive (AGFA). Best viewed during the witching hour at a haunted drive-in, this mixtape features “Smut Without Smut” versions of six Satan-themed features, as well as trailers, commercials, and ephemera from the vaults. WATCH! Demon killers wearing makeup in the style of the band KISS! SEE! Sacrificial rites performed on kitchen tables! OBSERVE! Credits like “Co-starring Raquel Belch!” Dreamy, outrageous, and filled with naked people wearing velvet capes, SMUT WITHOUT SMUT: SATANIC HORROR NITE is a spicy treat for those souls who are brave enough to jump into the fire.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
A post-dubbed, micro-budget, horror-sci-fi anthology consisting of five tales woven together by the hallucinatory mind-melding of ceremonial slime drinking humanoids from another dimension.
A man struggles to live a normal life after an intruder begins stalking his every move.
Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.
Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.
In the stillness of night, a lone man is trapped in a state of sleep paralysis. As darkness closes in, he must confront the ghosts of his past.
After a feverish dream, a paralysed woman finds herself trapped within a purgatory of sleep, as their inaction causes time to move. The dreamers' body mutates and deforms as multiple incarnations of herself struggle to awake. Bed & Breakfast is a surrealist horror about inaction and sleep paralysis. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.
A young man goes through his everyday routine until he realizes that he is completely alone.
A sun-soaked body in need of relief enjoys a euphoric late afternoon at the beach.
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
In the reality of this film, there is a curse that calls itself Bardensra, a curse that feeds off of spreading across realities. It's attached itself to the apartment in which the protagonist is a new tenant. All's well and good, until the the borders between the different worlds start becoming illusions and the protagonist starts suspecting that in a parallel universe, there's a serial killer who lives in his apartment
