Social & External
Himself
herself
himself
Herself
The recent democratic revolutions throughout Eastern Europe—Serbia in 2000, Georgia in 2003, and the Ukraine in 2004—all seemed to follow a quick and easy pattern: the exposure of rigged elections, followed by massive street protests, and a regime that collapsed without a fight. But THE DEMOCRATIC REVOLUTIONARY HANDBOOK reveals the lengthy and meticulous preparations behind these seemingly spontaneous demonstrations, showing how modern marketing techniques have combined with revolutionary politics to transform the region's governments.
It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.
A semi-fictional correspondence between two women: one goes to Iran in 1979 to topple the Shah; the other experiences the onerous years of Ceaușescu’s Romania. Their biographies run in parallel via images of everyday life and videograms of revolution.
In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.
Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.
This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
A film about dreams and ambitions in the Belarus through the eyes of the younger generation. An insight into the recent history of Belarus and the growing movement for change in 'Europe's last dictatorship'.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Four lucid grandmothers tell their story forgotten by history: the militancy and resistance of the young women of the leftist youth against the dictatorship of Marcos Pérez Jiménez.
Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy. His success encourages Hitler to take power in Germany in 1933, opening the dark road to World War II. (Originally released as a two-part miniseries. Includes colorized archival footage.)
Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
During the first days after the 1973 Chilean coup d’état, the political leadership of the Popular Unity government was arrested and transferred to Dawson Island, Magallanes Region, extreme south of Chile and the mainland. The wives of the then political prisoners began an incessant effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they meet and spontaneously organize into a group they call the “Dawsonianas.”
Audiovisual experiment, on the role of photography and its authors, during the last civic-military dictatorship in Argentina. A documentary that makes clear the complicity of the hegemonic media with the military government and the fundamental role played by the militants, in this case photographers, to document what was really happening in Argentina during the period 1976/1983.
Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.
From its old age, a SIG-510 rifle tells the story of its military service as a weapon used by the Chilean army. It tells of his military training, its frustrated desire to serve his country, and the memories it has of the Coup d'état that occurred in 1973.
Several decades after the collapse of the communist system, nostalgia for the former regime has reached unimaginable proportions in almost all former communist European countries. The documentary Nostalgia for Dictatorship does not limit itself to presenting this genuine syndrome of "longing for dictatorship", but, in parallel with the opinions and motivations of ordinary citizens living in the former communist space, it advances explanations by researchers from various fields, sociologists, psychologists, political scientists, ethologists, etc., regarding the intimate motivations of such a paradoxical feeling.
A short film produced between September and October of 1969, during the course of the Brazilian military dictatorship. It's authorship remained anonymous for a long time and the precariousness of the production was due because of its clandestinity. The film is a collage of images of popular repression, ruling power violence and its people resistance around the world.