A performer reflects on her mixed Korean-Mexican heritage in a melding of folk cultures through dance.
Social & External
Dancer
Original animated film made for the International Chopin Year. The soundtrack consists of Fryderyk Chopin's music performed by Justyna Steczkowska, Tomasz Stańko and Michał Urbaniak. The author rejects the pompous, exalted, pathos-laden, obligatory admiration that paralyses the possibility of hearing Chopin's music in a fresh way.
Amid an identity crisis, Fábio, 22 years old, a young black man from Cidade Tiradentes, reconnects with his past through a funk party with friends. On their way to the Fluxo, as these parties are called, he faces internal and external challenges that make him confront his feelings after his recent breakup. The film investigates the experiences of young people who live in the extreme east of São Paulo, the biggest city in Brazil and considered one of the main pillars of funk history.
The Tortoise composed a song and the Lion cub learnt it by heart and they sang it together.
A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios to sheiks.
On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.
Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.
A 1941 Ministry of Information propaganda film set to the tune of The Lambeth Walk, a popular song from the musical Me and My Girl.
A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.
Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...
After graduating from high school, Julien left his hometown to build a bigger life in the capital, leaving his memories behind. And then one day, he had to come back, and that day his memories jumped out at him from between two packets of Pépito cookies.
BULIMIA: THE MUSICAL follows a young girl's journey from first vomit to last breath, in fifteen minutes of laugh-out-loud, puke-your-guts-out song and dance, all wrapped up with a positive message.
An aspiring classical pianist loses his hearing and, with the help of those closest to him, must find the strength to play again. . .
A girl with amnesia believes she is a bachelor's wife.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
A short film accompanying the deluxe edition of "Eternal Sunshine," marking Ariana Grande’s directorial debut. Peaches, now elderly, revisits Brighter Days Inc. to relive idealized versions of her memories before they are destroyed forever. Inspired by the film "Eternal Sunshine of the Spotless Mind" and a sequel to the "We Can't Be Friends" music video.
Motion Control examines the synergy of camera and performer. Shot on 35mm, it explores from the camera's pov, the physical and emotional entrapment of the ageing and glamorous dancer in her private and personal spaces. The film is notable for hypersound foley overlaid with text and electro-opera composed by Billy Cowie and sung by soprano Naomi Itami.