Juraj Valčuha conducts Beethoven's Symphony 9th.
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Herself - soprano
Herself - mezzo-soprano
Himself - tenor
Himself - bass
Conductor
The Berliner Philharmoniker’s European Concert, held each year on 1 May, is invariably an international highlight. Performing in 2008 in Moscow's renowned Tchaikovsky Conservatory, the orchestra under Sir Simon Rattle presented outstanding performances of works by Beethoven, Stravinsky and Bruch, whose Violin Concerto featured one of today’s most fascinating artists, the Russian violinist Vadim Repin. Stravinsky: Symphony in Three Movements Bruch: Concerto for Violin No.1, op.26 Beethoven: Symphony No.7 in A major, op. 92
With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
In October 2022, the Moravian Philharmonic Orchestra Olomouc welcomed violinist Jan Mráček and cellist Michaela Fukačová to its concerts. Both artists will join forces in Johannes Brahms' unique, mature work, the "Concerto for Violin and Cello in A minor“, conducted by Jakub Klecker. The program opened with Antonín Dvořák's symphonic poem "Polednice," which is part of his tetralogy of symphonic poems based on motifs from Karel Jaromír Erben's collection "Kytice," written in 1896 after Dvořák's return from the United States, followed by a work by the world-renowned Georgian composer Giya Kancheli from 2015 entitled "Nu.Mu.Zu", which means "I don't know" in ancient Sumerian. The highlight of the evening was Johannes Brahms' "Concerto for Violin and Cello in A minor" from 1887.
Elara, a young violinist, is madly in love with Lucio, a Sicilian student. Their love blossoms, but suddenly Lucio must return to Italy to care for his sick niece. Elara struggles with loneliness and sadness, until she finds new inspiration in a dream.
After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.
Charismatic conductor and composer Andre Previn looks back at some of his greatest television moments, from thrilling performances of orchestral favourites by Mozart and Berlioz to his classic comedy encounter with Morecambe and Wise.
Robots live alongside mankind in a not too distant future, but are they really living?
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Recording of a concert from the St. Wenceslas Music Festival. The program of the St. Wenceslas Music Festival offered listeners a treat of spiritual music, the oratorio La Resurrezione (The Resurrection) by German composer George Frideric Handel. The work is one of Handel's early oratorios. When Handel failed to conquer the opera stronghold of the time – Venice, Italy – he returned to Rome and composed the oratorio to a libretto by Sigismondo Capace. It premiered during Easter in 1708. In this musical documentary, we will take you to the orchestra rehearsals with soloists and then to St. Wenceslas Church in Opava, where the oratorio was performed by the top Czech musical ensemble Collegium 1704, which focuses on Baroque music in its original interpretation. This time, in addition to other great soloists, it invited Martina Janková, a native of Orlová and star of the opera scene in Zurich, to collaborate.
For the first 18 years of her life, Mozart’s sister shared equal billing with her brother. Musical partners and collaborators, Wolfgang Mozart and Maria-Anna Mozart played together before Kings and Queens, and were the talk of Europe. What happened to her? Forced into retirement by age 16 because she was a woman, a stunning new investigation explores why she was retired against her will and the explosive theory: did Maria-Anna Mozart continue to compose in secret?
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
In 2018, the Thomanerchor and the Gewandhausorchester Leipzig performed in the Thomaskirche Leibzig under the direction of Gotthold Schwarz together with an internationally renowned ensemble of soloists.
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