Social & External
Self
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
Journalist Sandra Harkow produces a promotional film for the RFID industry. Through a time traveler, she learns about the dark future triggered by RFID chips. Her encounter with the time traveler makes her prick up her ears and she researches the radio chips. The so-called docu-fiction style, which coherently combines real interviews with film scenes, gives the viewer the impression of being part of this reality.
David Bond lives in one of the most intrusive surveillance states in the world. He decides to find out how much private companies and the government know about him by putting himself under surveillance and attempting to disappear, a decision that changes his life forever. Leaving his pregnant wife and young child behind, he is tracked across the database state on a chilling journey that forces him to contemplate the meaning of privacy and the loss of it.
In this Pete Smith Specialty short, we see how real-life investigator Jo Goggin used a motion picture surveillance camera to gather evidence and disprove a fraudulent insurance claim.
Host Grant Jeffrey discusses how technology and government activities are changing the way our information is handled. How is this shaping our lives?
The Cost Of Convenience examines how internet platforms are impacting our mental health, restructuring our communities, threatening our democracy, and violating our human rights.
Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.
Journalist Assia Boundaoui sets out to investigate long-brewing rumors that her quiet, predominantly Arab-American neighborhood was being monitored by the FBI.
NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
Facebook, Amazon and Google provide us with around the clock access to the convenient digital world! Surveillance cameras on the streets take care of our security. But who actually collects our fingerprints, iris scans, online shopping preferences, and social media postings? Don't we care about our privacy anymore? In his unique charming and curious way filmmaker Werner Boote travels around the world to explore the "brave new world" of total control. EVERYTHING UNDER CONTROL by Werner Boote (Plastic Planet, Population Boom) - an evocative film about the self-evidence of surveillance. In cinemas 25th of December 2015.
Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
A Good American tells the story of the best code-breaker the USA ever had and how he and a small team within NSA created a surveillance tool that could pick up any electronic signal on earth, filter it for targets and render results in real-time while keeping the privacy as demanded by the US constitution.
A U.S. military surveillance balloon floats on a tether high above Kabul, Afghanistan. Its capacities are both highly classified and deeply mysterious.
Behind his polite exterior lies a formidable leader with a ruthless character, ready to do anything to make China the world's leading power by the People’s Republic’s centenary in 2049. This well-documented portrait of the Chinese president gives an unprecedented insight into his politics and shows how Xi Jinping's personal journey has shaped his choices as he steers China towards world domination.
Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
On November 20, 1979 at 5:30 in the morning, hundreds of armed men take over the Grand Mosque of Mecca, transforming the holiest shrine of Islam into a fortress and a trap for almost 100,000 pilgrims inside. This was the beginning of the siege of Mecca…
Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.
Ogami Itto volunteers to be tortured by Yakuza in order to save a prostitute and is hired by their leader to kill an evil chamberlain.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
A group of tenants and visitors are trapped in a 10-story high-rise apartment building infested with demons who proceed to hunt the dwindling humans down.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
In 1913, an orphaned young woman arrives in Budapest to take up employment as a milliner at the hat store that belonged to her late parents but becomes mired in a search for a brother she had never known of.
High-tech robots equipped with state-of-the-art security devices have been recruited as the new mechanical "night watchmen" for the Park Plaza Mall. When a jolting bolt of lightning short-circuits the main computer control, the robots turn into "killbots" on the loose after unsuspecting shoppers!
While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.
Follows the journey of a 90-year-old atheist and the quirky characters that inhabit his off-the-map desert town. He finds himself at the precipice of life, thrust into a journey of self-exploration.
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. They start a conversation about cigarettes and coffee. Steven likes to drink coffee before he sleeps, so he can dream faster. The conversation jumps around. "You know my mother?" asks Roberto. Steven describes coffee Popsicles. They switch seats; then switch back. Steven has to leave for a dental appointment he's not looking forward to. Roberto makes a startling offer, inspired no doubt by the coffee and cigarettes.
A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn't all it's cracked up to be.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
Set during a retreat of Christian Democrat politicians who practice spiritual exercises together, it is an allegory of corrupted power. Disturbing, claustrophobic settings are the background to a series of mysterious crimes.
Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.
A young schoolteacher descends into personal moral degradation after finding himself stranded in a brutal, menacing town in outback Australia.
In 2013, in Cairo, a tragic fate brings together several detainees from different political and social backgrounds inside a police truck, during the turmoil that followed the ousting of president Morsi.
When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .
Official Shogunate executioner Ogami Itto has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.