Cartoneras

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Moles

A post-apocalyptic universe. A metropolis of two societies. On the surface, a regime that isolates the individuals in elite. A whole city scraped in the underground, where survival is the only law. Up and down don’t merge. Yet the Mole will climb up to fulfil his dreams.

Match 64: The Maracanã

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

'78 Cup - The Power of Football

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Messi

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Sunset Boulevards

In this documentary about the exile of two famous French actors in Argentina during and after World War II, the director Cozarinsky returns to Argentina after many years in France and recalls places and events from his childhood, particularly the celebration of the liberation of Paris on in August of 1944, in Buenos Aires's Plaza Francia. Featuring testimony from various authors and acquaintances of Maria (Renee) Falconetti and Robert Le Vigan, the film explores their lives and final years in Argentina.

Debt

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

White Walls Say Nothing

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Social Genocide

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Para siempre

Stars

Shot almost in its entirety in the corridors of the Villa 21, one of Buenas Aires' most well-known shanty-towns, Estrellas (Stars) revolves around the work of Julio Arrieta, who is both a theatre director and is responsible for providing shooting locations for those directores wishing to film in an Argentine ghetto.

Deaf

Martinez's second feature documentary assembles a theatre group of deaf actors in order to portray their lives and at the same time avoid any pedagogic representation of the non-hearing people. Coming from different environments and provinces, la troupe has to overcome various difficulties to put on stage their last play, hoping to attract an audience beyond the Argentine deaf community.

Reas

Gentle or rough, blonde or shaved, cis or trans, long term inmates or those newly admitted: women re-enact their lives in a Buenos Aires prison, in trance and balance, voguing and singing. A hybrid musical and charming piece of collective empowerment.

My Enemy's Enemy

Reveals an alternate history of the post-war world. This is a version of history where, in contrast to what we are all told, fascist ideology prevailed. The story of Klaus Barbie, Nazi torturer, American spy, tool of repressive right-wing regimes, is symbolic of the real relationship that the "Western" governments had with fascism and makes us see the world as it is today - and the politicians that inhabit it - in a different way.

Argentina... Argentina...

Tango

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

El padre de Gardel

For thirty years, Carlos Escayola was the main politician of the small town of Tacuarembó, Uruguay. This farmer was known both for his political and cultural achievements (including the construction of a theater), and for the reputation of seducer, which earned him one of the greatest family polemics in the history of the region.

The Dread

The villagers of El Dorado, Argentina, shy away from doctors. Then again, they hardly need one. They have almost as many cures for ailments and illnesses as there are residents in the village. 65 year old Jorge can also cure the most dreaded ailment of them all, the much feared espanto.

A Journey to the Fumigated Towns

A Journey to the Fumigated Towns is the final episode made by Fernando Solanas in a series of 8 films dedicated to the Argentinian’s crisis in the 21st century. Based on testimonies, re-creations, archives and photos, this investigative documentary reveals not only the after-effects of the soya’s model and other GMO’s grain productions with agrochemicals, on the health of the Argentinian people, but also the global and environmental consequences.

Carlos Gardel, Historia de un Ídolo

Newsreels, songs and films by Gardel, real scenes with events and historical figures from Argentina and the world, images of the accident that took his life in Medellín and the funeral in Buenos Aires.