"Heimbold like you’ve never seen it before"
A surrealist animation of the Sarah Lawrence College art building.
Social & External
In a world of her own, a young sound engineer spends all her time recording the sounds of the city. That is, until she encounters a man and succeeds in picking up the frequencies of his inner melody.
A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.
In this original CG short, a Rock Giant literally holds in his hands the fate of a small coastal village. Can he forgive and forget?
Archibald, an astronaut painter is on a mission to paint his magnum opus, the solar system. Driven by obsession, he is faced with his final piece, which will guide him to his doom, The Sun.
For almost half a century, Don Ritchie would approach people contemplating suicide at the edge of a cliff near his home. Teacups explores Don’s surreal interactions with hundreds of suicidal individuals and his journey to reconcile the suicide of his best friend.
Strange places take shape in a torch’s beam of light and the sound of water droplets hitting the ground punctuates our footsteps. In the distance, we hear muffled music, where does it come from?
a couple navigate their death and resurrection
The second essay about still dominant dark aspects of our modern society. It is conceived as a surreal anti-patriarchal thought experiment and raises important questions about gender, power, and social change, prompting us to reflect on how historical patterns of discrimination and oppression might be either repeated or overcome in a reversed gendered world. It challenges the viewer to confront their own assumptions and biases, and to consider the possibilities of a more equitable society.
Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.
A bohemian circus mouse has had enough of the spotlight and the magician who conjures him up from the top hat every day. Using a nailfile he escapes his cage and embarks on a great journey.
An essay in colour harmonics and visual overtones. Conceived and produced as part of the Images Film Festival's Minute Movies.
During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.
The last remaining human soldiers of a devastated Earth fight against the machines for one last chance for their species to escape and survive.
GrandPat travels through alternate dimensions and timelines to get home.
If a girl crosses the border between her internal and external reality and no one is around to see it, does this animated short really exist?
Just when the evil Dr. Blakk has been defeated and Eli Shane's duties as protector of Slugterra become easier, a new danger emerges from beyond the 99 caverns.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.