A program that explores the strange but true medical mysteries housed in this one-of-a-kind museum in Philadelphia, Pennsylvania.
Social & External
(narrator, voice)
Unknown Role
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
With unique access to Nasa, Brian Cox follows Perseverance rover’s search for life on Mars during a critical seven-day period as it undertakes an epic journey across the red planet.
Short about the daily life of the Apaches, including their ceremonies.
This is a story of "Takechiyo," the previous name of Iemitsu Tokunaga, the third Shogun (General). Takechiyo got sick of daily run-of-the-mill tasks, and it put him off being the Shogun, saying "there is no truth". Then, Hikozaemon Ookubo took him to Tasuke Isshin to bring him up into a full-fledged and admirable man.
The fish market is to be moved to Shinagawa, and Tasuke Isshin (Jun Inoue) got in trouble. Hikosaemon Ookubo (Eijiro Tono) heard of it from Tasuke, and ask about it to Iemitsu (Ken Tanaka). However, on the contrary, Hikosaemon received penitence for a bribe that he doesn't know.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A reflection on the beauty of the roads less traveled.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Rare, medium rare, medium, medium well and well done. Through intimate and personal stories, five women share their experiences in relation to the body, from childhood to old age.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
New York, May 16, 1888. Visionary Serbian inventor Nikola Tesla is about to introduce an innovative AC asynchronous motor. Before the demonstration, wealthy businessman George Westinghouse meets Tesla privately to get him to sell him his patent and go into business with him. Tesla declines the offer but during the demonstration something happens that will change the world forever.
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
A behind-the-scenes look at P!NK as she balances family and life on the road, leading up to her first Wembley Stadium performance on 2019's "Beautiful Trauma" world tour.
The Rainbow Warrior was a Greenpeace ship that was bombed by operatives of the French government, in New Zealand in 1985, while heading to a protest against nuclear testing, tragically taking the life of photographer Fernando Pereira. Edward McGurn’s enlightening and exciting documentary uncovers a tangled tale of nuclear weapons, geopolitical coverups, and attempts to take action against impending environmental collapse. Was Pereira’s death an accident or part of a larger political plot?
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
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