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From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.
Errol Morris’s Fast, Cheap & Out of Control interweaves the stories of four men, each driven to create eccentric worlds from their unique obsessions, all of which involve animals. There’s a lion tamer who shares his theories on the mental processes of wild animals; a topiary gardener who has devoted a lifetime to shaping bears and giraffes out of hedges and trees; a man fascinated with hairless mole rats; and an MIT scientist who has designed complex, autonomous robots that can crawl like bugs.
Tucked away in northern Indiana, the city of Peru, Indiana is the circus capitol of the world. Thousands of visitors and townspeople come to this town for two weeks to see the annual amateur circus. Performed by only the local kids, fueled with the rich history and culture of the circus in Peru, this show is anything but amateur.
Cirque du Soleil presents KÀ, its new epic tale, an unprecedented theatrical production now playing at MGM Grand in Las Vegas. See what lies behind this theatrical adventure by plunging into KÀ Extreme! The documentary explores the journey of a remarkable production by following the show's evolution from early rehearsals through to its first public performance. KÀ Extreme exposes the unique creative process and demonstrates how a team of creators managed to turn inspiration into reality!
Benny Berdino, the owner of Europe's biggest circus, has a dream. To make sure that his dynasty will carry on, he hopes that his grandson, Patrick Berdino, and the award winning circus artist Merrylu Casselly will marry and one day carry on Circus Arena. With their looks and skills they would be the perfect match. Everything seems to be going according to plan, as Patrick and Merrylu has moved into their own Caravan. But his dream is threatened, because mixing love and business is difficult and the Casselly Family is offered a lucrative contract from the biggest circus in the world, Ringling Brothers, in USA.
A Documentary on the Creation of OVO, by Cirque du Soleil
Footage from the premiere of Charlie Chaplin's 1928 film 'The Circus'.
Impressionistic glimpses of London life from early morning to rush hour.
While writing a book on the circus, author John Shawcross reflects upon the great acts he has seen over the years and the mystique of circus people. He recalls the solo trapeze act of La Mara; Tarzan, Sahib, and their elephant; Marco's sword-balancing act; an archery act in which Grey Arrow shoots an apple off the head of Zuni, his wife; the Mascott Sisters' head-to-head balancing act on a high ladder; the juggling of Rudy Cardenas; high bar specialists, the Tongas; Gunther Gebel Williams with his tiger; the flying bar act of the Laribles; Carl Sembach-Krone's trained horses; lion tamer Pablo Noel; the Gaonas and the Four Titos on the trampoline; the Flying Armors on the flying trapeze; Frieda Krone and her elephants; Fredy Knie, Sr., and his Lippizaner; the Francesco Clowns; Lilly Yokoi on her bicycle; Mendez and Seitz on the tightrope; and Pauline Schumann on the trick horse.
A story of the world's first female tiger trainer who claimed her love for her tigers was so great she wanted to die in the ring. Raised in poverty in Kentucky, Mabel Stark joined the circus in 1911 and became the first woman to train tigers, earning the center ring despite being told that women couldn't work the big cats. In a 57-year career, she headlined shows with Ringling Bros and Barnum and Bailey, survived multiple maulings and marriages, starred in Hollywood movies, and managed up to 20 cats by forming intimate relationships with each, rather than using the whip. Her life ended tragically just outside of Jungleland in Thousand Oaks, CA, and her legacy and the golden era of the American circus is recounted by former animal trailers, performers and historian Janet Davis, with Mabel's voice, from her memoir "Hold That Tiger", provided by Oscar ®-winner Melissa Leo.
The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.
French filmmaker Laurent Chevallier always wanted to make a documentary on an African circus, but there were no native circuses on the continent. So Chevallier decided to help found a circus in Guinea. 36 young people were chosen from the city of Conakry to participate in what would become Circus Baobab. A group of French circus artists were imported to train the participants for 2 years in acrobatics and trapeze. Then the group took their show on the road. This film is Chevallier's account of the troupe's inaugural tour in Guinea, from March 1 - April 11, 2000.
In the magical world of La Nouba, dreams become reality and talent turns the ordinary into the extraordinary. La Nouba is, literally, a waking dream come true – clowns, ballerinas, trapeze artists, an incredible BMX bicycle act – and much more.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
This film tells the story of itinerant circus performers, cabaret acts and fairground attractions, showing rarities and never-before seen footage of fairgrounds, circus entertainment, freak shows, variety performances, music hall and seaside entertainment, chronicled from the 19th and 20th century. We will see early shows that wowed the world and home movies of some of the greatest circus families. Director Benedikt Erlingsson takes us back to the days when the most outlandish, skillful and breathtaking acts traveled the world. This rich visual archive has been created with exclusive access to The University of Sheffield’s National Fairground Archive and is accompanied by an epic new score by Georg Holm and Orri Páll Dýrason of Sigur Rós, in collaboration with Hilmar Örn Hilmarsson and Kjartan Dagur Holm.