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As the grand finale of the world tour, "SUGA | Agust D TOUR 'D-DAY' THE FINAL" marked the culmination of 25 concerts held in 10 cities, which captivated a total audience of 290,000 throughout its run. Experience the pulsating energy and excitement of "'D-DAY' THE FINAL" on screen, everything from the exquisite sounds traversing the boundary between "21st Century Pop Icon" BTS member SUGA and solo artist Agust D, electrifying performance, explosive energy, to special duet stages featuring fellow BTS members RM, Jimin, and Jung Kook.
Hard rock and chicken farming have a common denominator spelled Hampus Klang – a middle-aged man who, with his dedicated commitment, makes it to the big rock stages as well as to the podium for the best-looking hen.
A documentary about the legendary Japanese filmmaker.
Interviews and performance footage are used to provide an overview of the women's music scene.
A "beneath the surface" look at the story of the band Snah Morfar, how it came to be, and how it all fell apart before it even began. Through one-on-one interviews with each member of the band, and statements made by people from the same circle, this is the real story of Snah Morfar.
On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.
SETLIST: Iowa 742617000027 (sic) Eyeless Wait And Bleed Get This Before I Forget Sulfur The Blister Exists Dead Memories Left Behind Disasterpiece Vermilion Everything Ends Psychosocial Duality People=Shit Surfacing Spit It Out
A humorous documentary about the search for a great composer who managed to overcome his depression by spelling his own name wrong.
Megumi Odaka (小高恵美) idol VHS tape, Megumi the Campaign - Idol Roke Zenkoku Jyuudan, 1989. She is best known for the role of Miki Saegusa in six Godzilla films from 1989 to 1995.
As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.
Dolly Parton leads a moving, musical journey in this documentary that details the people and places who have helped shape her iconic career.
Anna "Buksa" Scemelinska (1925 - 2011) was a Latvian folksinger. She learned her song repertoire and singing style from her parents and villagers. She sang in the Rekova Church Choir in 1956, and has also been a member of the Rekava Ethnographic Ensemble from 1980. Her mother sang religious hymns ,"godzinkas", while Anna sang traditional dainas. The singing was like the rest of her life: in harmony with nature. Marked by hard work and deep religiosity, her songs are a kind of Eastern European blues or gospel. Singers like Anna Scemelinska are storytellers. Their folk songs comprise legends, history and experience from life.
This film tells the stormy tale of a group of friends from Boulogne-sur-Mer, a French town hit by the financial crisis. A year between dreams and disillusion, imagined by teenagers from a working or middle class background, with songs that regularly add poetry, laughter, and emotion to reality.
A documentary about the aging prima ballerina Balasaraswati (popularly known as "Bala"), the most famous exponent of the Bharatanatyam dance.
Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.
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