In the first few months of 2020, huge swathes of Northern Italy were hit by a new virus. The town of Bergamo and its province was to become the epicentre of this pandemic.
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Unknown Role
As the first city hit in the global pandemic, Wuhan, with a population of 11 million, was placed under an unprecedented lockdown. The film showcases the incredible speed and power of China’s state machinery in its fight against the virus. On the other side of the scale is the crushing bureaucracy of that same machine.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
This documentary puts a spotlight on the White House’s failed response to the global pandemic and how it could have been prevented. Featuring damning testimony from public health officials and hard investigative reporting, director Alex Gibney reveals a system-wide collapse caused by a profound dereliction of presidential leadership.
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
A capsule romance accelerates dramatically against the backdrop of the pandemic as two filmmakers are forced to move in together after two weeks of knowing each other.
Filmed at Benning's home in Val Verde during the first month of the pandemic, the film is a portrait of that time.
"After a period in intensive care, Britney sets out on a road trip where time becomes entangled. Along the journey, she seeks to understand her relationship with people, with affection, and with her own body."
At a time when we are bombarded with COVID-19 information comes a moment of clarity – and a warning we cannot afford to ignore. We ask – who is really behind this pandemic? Find out in revealing dialogues with scientists, experts and activists like conservation icon Jane Goodall and environmental hero Captain Paul Watson from Sea Shepherd. Their stories combine with raw, up to date images and Terra Mater’s classic, inspiring blue-chip footage, in a film to make you pause, feel and act.
During the pandemic-induced lockdowns of 2020, a restaurant owner struggles to maintain his business.
After the COVID-19 time, the weather gradually turned cool and the octogenarian couple led a quiet life. The couple realized that there were only three people left in their generation after stumbling upon a photo. So they decided to visit their relative who lived in another city.
We no longer see children running around playing in the alleys of Seoul. Starting from elementary school, children go to private classes after their school. However, we see these people who are making efforts to protect children’s right to be a child and play like a child.
The combination of COVID-19 and the far right in power could spell the end of human life on Earth. Short film made for the IMS Convida program.
As the global pandemic reaches into the Arctic Archipelago, Inuk filmmaker Carol Kunnuk documents how unfamiliar new protocols affect her family and community. Her vividly specific soundtrack juxtaposes snippets from local radio broadcasts, issuing health advisories in both Inuktitut and English, with the sweet sounds of children at play. A richly detailed and tender account of disruption and adjustment.
At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.
This is the dramatic global story of the first year of COVID-19, tracing the devastation caused by the spread of the virus across four continents.
A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.
Battles in virtual reality, survival in a post-apocalyptic wasteland, a Soviet spaceship giving a distress signal - Fantastic stories created with advanced special effects and passion.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
A military contractor hired to seize a weapon that turns people into savage killers seeks revenge when his brother falls victim to the device.
It’s Saturday night in Istanbul and the storm suppresses the sound of music around the city. Özge and Tarık, who have had too much to drink, decide to end the night and jump in a cab. However, the journey back home doesn’t go as they expect.
Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.
After escaping a Michigan prison, a charming career criminal assumes a new identity in Canada and goes on to rob a record 59 banks and jewellery stores while being hunted by a rogue task force. Based on the true story of The Flying Bandit.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
A group of martial artists seek revenge after being crippled by Tu Tin-To, a martial arts master, and his son.
An unhappy divorcée has the bad fortune to move next door to a security systems installer, a voyeur whose hobby is planting hidden video cameras in the bedrooms of all his clients. He then monitors the sex lives of his customers through an elaborate TV monitor system in his garage. Joanna Cole becomes his latest victim, but when she discovers the camera by accident, she reverts back to her exhibitionist ways and begins putting on sex shows for his pleasure. Things gets ugly when Jim professes his love for her but is rebuffed.
Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.
An experimental film through the eyes of a man
A White Trash right wing extremist militia’s (unintentionally hilarious) home movies.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
Rich and powerful Simon Qing has been schooled in the ways of sex by his virile father, but is still a virgin. That is, until he meets his first love Violetta who has fun with him all over his father’s estate. Their love does not last, so Simon embarks on a journey. Along the way he meets the comely nun Moon whom Simon deflowers and then marries. He then becomes enamored of Golden Lotus but she is married to dwarf Wu Da-Lang.
A Korean riff on The Terminator.
Follows Piv and Ulrik, who are trying to become part of the parent group in their daughter's new school class, going to great lengths to be admitted.
A turbulent day in a life, painted by air.
A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?