City of Caterpillar live at 'Alternative Music Foundation' AKA 924 Gilman, Berkeley, California - 11/29/2002
Social & External
The people behind it
Brandon Evans
Self
Jeff Kane
Kevin Longendyke
Ryan Parrish
Filmed at LA's SoFi Stadium, The Weeknd brings down the house – and your living room – in this epic concert event.
When a 13-year-old girl befriends a defiant antisocial child of the streets, the mismatched runaways set off to the Big Apple to find their own adventure.
This DVD, a unique collection of the visual works of Elvis Costello, boasts a grand total of 27 videos and includes material rarely seen since the original release of the singles they supported. From his first Radar Records single in 1978, "I Don't Want To Go To (Chelsea)," to his final video for Warner Bros., "13 Steps Lead Down" (from 1994's Brutal Youth), this is a must purchase for all serious Elvis Costello enthusiasts and fans alike.
A short Doc/Music Collage of the DIY shows at Taqueria El Picante. Featuring bands from all around DFW, Houston, Chicago, and Canada too. During editing, it became a story about Alli, Pat, and good ass music.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Documentary on the 25 years of the extinct Portuguese Punk Rock band Censurados.
Formed in 1979 in Wichita, Kansas, the so-called "blister pop" band the Embarrassment played major U.S. cities and garnered praise from the likes of Allen Ginsberg, John Cale and Jonathan Demme, but their refusal to compromise their vision made success elusive. Through archival interviews and concert footage, this documentary draws a portrait of the oft-overlooked post-punk legends.
Documentation of the legendary all ages hardcore punk show held at a Jack Astor's Sports Bar & Grill during operating business hours in St. John's, Newfoundland. Featuring performances from local hardcore heavyweights Carnage, GlitterGlue, Buck 50'd, and the debut performance of Life Jolt.
On Aug. 28, 2016, Tim Bergling, better known as Avicii, graced the stage of the Ushuaïa nightclub in Ibiza for what would be his final performance.
In the early 1970s, rubber was still king in Akron, Ohio. But just a few short years later, Akron's most important product was, ever so briefly, music. In the mid-1970s, a group of local bands took over an old rubber workers' hang-out in downtown Akron called The Crypt and created a mix of punk and art rock that came to be known as "the Akron Sound." And for a while, it was almost "the next big thing." Almost. It's Everything, and Then It's Gone, a Western Reserve PBS production written and directed by Phil Hoffman., takes viewers back to a time when the music really did mean everything. And for the men and women in these local bands, it was a way out of the factory.
Live at the U.S. Festival, ’82 and ’83, a DVD featuring both years’ concerts in their entirety, compiling the best performances from each year. It stands as a fine tribute to a legendary ’80s/ska band and the only representation of their fantastic live show.
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
A documentary about the punk band Lagwagon. Includes interviews and live songs.
A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
Celebrating the 30 year anniversary of Michael Jackson's solo career, this legendary performance took place on September 10, 2001.
Daft Punk Unchained is the first film about the pop culture phenomenon that is Daft Punk, the duo with 12 million albums sold worldwide and seven Grammy Awards. Throughout their career Thomas Bangalter and Guy-Manuel de Homem-Christo have always resisted compromise and the established codes of show business. They have remained determined to maintain control of every link in the chain of their creative process. In the era of globalisation and social networks, they rarely speak in public and neither do they show their faces on TV. This documentary explores this unprecedented cultural revolution revealing a duo of artists on a permanent quest for creativity, independence and freedom.
A celebration of the musical work of a group of session musicians known as "The Wrecking Crew." a band that provided back-up instrumentals to such legendary recording artists as Frank Sinatra, The Beach Boys, and Bing Crosby.
Two former backup soul singers, Louis and Floyd, have not spoken to each other in 20 years, and reluctantly agree to travel across the country together to a reunion concert to honor their recently-deceased lead singer. Cleo, a beautiful young woman who is believed to be Floyd's daughter, accompanies them as a new singer.
In 1987, to capitalize on his growing success in Europe, Prince toured extensively to promote the album of the same name and sales increased accordingly. However, the United States remained resistant to his latest album, and sales began to drop; it was at this point that Prince decided to film a live concert promoting the new material, for eventual distribution to theaters in America. Featuring the band that accompanied Prince on his 1987 Sign o' the Times Tour, including dancer Cat Glover, keyboardist Boni Boyer, bassist Levi Seacer, Jr., guitarist Miko Weaver, drummer Sheila E. and former member of The Revolution keyboardist Dr. Fink, the film sees the group perform live on stage (although "U Got the Look" is represented by its promotional music video).
Pinnacle records has the perfect plan to get their sinking company back on track: a comeback concert in LA featuring Aldous Snow, a fading rockstar who has dropped off the radar in recent years. Record company intern Aaron Green is faced with the monumental task of bringing his idol, out of control rock star Aldous Snow, back to LA for his comeback show.
A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."
The brothers Gibb perform their greatest hits from the 60's, 70's, 80's and 90's including many songs written for and made hits by other artists but never recorded by the Bee Gees themselves.
Three eclectic, never-quite-famous folk bands come together for the first time in decades following the death of their manager to put on an reunion concert in his honor, at the request of his son.
Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"
Deni Maroon, a musician and dock worker is determined to pull off a music festival against the interests of the local factory owner.
Nearly 2 hours of the short films that made HIStory... Including never before released short films.
On the 30th of January, 1969, the Beatles performed an unannounced concert from the rooftop of their Apple Corps headquarters at Savile Row, within central London's office and fashion district. Experience the final and unforgettable iconic performance of The Beatles in a special 60-minute presentation, digitally remastered into the image and sound quality of IMAX DMR technology.
A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.
Michael Kamen conducts the San Francisco Symphony Orchestra in support of metal rockers Metallica in this 1999 concert performance.
In the town of Normal Valley, an eccentric magician named Maestro entertains the local children every day in his spooky mansion. One stormy night, the town's mayor leads a group of angry citizens to the mansion in an attempt to run Maestro out of town.
Filmed in Amsterdam on the European leg of his 2017 – 2018 Us + Them tour which saw Waters perform to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side of the Moon, The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
The Lone Rangers have heavy-metal dreams and a single demo tape they can't get anyone to play. The solution: Hijack an FM rock radio station and hold the deejays hostage until they agree to broadcast the band's tape.