„I began documenting their lives, if only because I hoped each film would have a happy ending.“ (Gerd Kroske)
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Social & External
A documentary about the hooligans and the rivalry of two football clubs in Leipzig.
At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.
This documentary gives a voice to organizers, DJs and party guests. Through their memories and confessions as well as unpublished videos and photos 20 years of history come back to life.
The “Bowlingtreff” is a bowling alley situated right in the centre of Leipzig opened in July 1987. At that time the quality of life in Leipzig and the whole GDR got worse. Houses collapsed because of poor conditions, public life and amusement was on a very low level. The “Bowlingtreff” was not merely an urban entertainment centre but a revolution in those days. Built with the help of hundreds of volunteers without permission of the state authorities in Berlin the building expresses a free and international architecture known as postmodernism. It is an architecture that was never seen before in Leipzig. Marble and parquet on the floor, a glass roof and beautiful pink pillars. The atmosphere was western as time witnesses remember it.
Having fathered an illegitimate child with his lover, Marie, feckless soldier Franz Woyzeck takes odd jobs around his small town to provide some extra money for them. One job is volunteering for experiments conducted by a local doctor, who puts Woyzeck on a diet of peas. This serves to drive him close to madness, and the discovery that Marie is involved in an affair with the local drum major exacerbates the situation. Pushed too far, Woyzeck resorts to violence.
Anne, a twenty-something student, enjoys a slow, summery day in Leipzig. While strolling through her neighbourhood she has several encounters with a stranger. At the end of the day she can't help but ask: "Do I know you?"
A dream becomes a nightmare: Shortly after the Iranian doctor Murath Tehrani and his German wife Claudia moved into a chic villa on the outskirts of Leipzig, threatening couple flutter into the house and Claudia is harassed by anonymous callers with xenophobic slogans. First, the woman tries to hide the threat from her husband. But not even the police can help her. Suddenly, every stranger approaching the house appears as a threat. Psychological pressure is also increasing the pressure on the harmonious marriage of the young couple. But Murath and Claudia are unwilling to be driven out of their homes by aggressive racists.
Gisela involuntarily ends up studying in the cosmopolitan city of Chemnitz. There she meets her friends Jana, Fred and Meryam, with whom she spends her nights out, fights with Nazis, eventually founds the band Superbusen and, through music, hopes to find answers to all the problems life throws at her.
Andreas Dresen's adaptation of Clemens Meyer's novel about a group of East German friends right after the fall of the Wall.
The Congolese Sikumoya faces prejudice and racism on a regular basis. He's accused of not adapting enough to the "German culture" and tries harder. A Neo-Nazi group and his mother-in-law push him to the breaking point. While in a coma, his metamorphosis completes.
The pakistani hairdresser, Haroon, has immigrated illegally to Germany, the German in- surance broker, Mark, dreams of emigrating. The consequences of a car accident throw these two entirely different people together for one night. At the end of an odyssey through the alien world of illegality, they both discover that something bonds them: a desire to be far away...
The two computer specialists Frank and Kamminke are not the type of citizens the party likes. Thus they are sent to the landscape where they still find enough stuff to do: They repair the software of a western type factory which is currently not working.
A young woman finds herself in a decaying world from which there is just one escape ...
Franziska Naumann happily greets her allegedly new neighbor Dr. Gottfried Naumann. She is very surprised when he wants to move into the same apartment in which just the movers carry their furniture. Even Gottfried is surprised - Franziska has not only the same name as he, but apparently also rented the same apartment. Without compromising, the quarreled estate agents Beate and Werner Wüstholtz has rented the apartment twice. There is only one solution: until the circumstances are clarified, the unequal couple must live together in the apartment. The fight burns.
This rich and nuanced portrait of the remarkable, elusive Rothschild family uncovers the story behind the family's phenomenal economic success. The film tells the dynasty’s incredible saga, from the confines of the Frankfurt ghetto to the halls of royal palaces, all the while emphasizing the importance they placed on family unity and the profound role Judaism played in their lives, later using their influence to assist oppressed Jews throughout Europe. A definitive work of documentary cinema with a thoroughly engaging narrative, The Rothschild Saga brings their mysterious and fascinating history to life.
The Norfolk Broads tourist film promotes the pleasures of boating.
In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?
An international tech entrepreneur with a fondness for architecture asks Rem Koolhaas to build a house on an impossibly small piece of mountainside in Zell am See in Austria. The architect of the celebrated book S,M,L,XL seizes the challenge: how to draw light into a house less than four metres wide that is mostly underground? Photographer and filmmaker Frans Parthesius followed the building process and offers insight into Koolhaas’s way of working and the special relationship with his client.
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