Annie Goldson and Kay Ellmers’ doco, expanded from the film they made for Maori Television, takes a timely look at New Zealand’s military and media, notably journalist Jon Stephenson, in Afghanistan.
Social & External
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Dubai - the city of controversies. Six individuals go through personal insecurities, cultural pressures, money issues and the hustle of staying true to who they are. In the world that says otherwise. Is it all really worth it ? The film touches upon Arab identity, female role in the world, family values, Islam.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
Five Afghan men try to reach Europe. The filmmakers followed them for over six months, filming their clandestine journey and chronicling a migration combining fantasy and stark reality, setbacks and achievements, in the midst of the dangers of such trips.
French documentarist Sonia Kronlund follows actor and director Salim Shaheen, an Afghan movie star who produced more than 110 low-budget movies in a country devastated by war.
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
Afri, a three-time World Surfing Games participant, has spent a lifetime searching for the world's best coastlines for surf, but never in his home country of Afghanistan. Filmed in three continents, this documentary follows Afridun's journey back to his home country with the help of some river surfers to find surfable waves and bring a drop of joy to the people there. The group battles with continual challenges on their 10-day journey from raging whitewater to culture clash. Their inspiring mission uncovers a long lost mystical side of a country battling with conflict through breathtaking landscapes and the desire to discover something new.
Fidelis Cloer is a self-confessed war profiteer who found The Perfect War when the US invaded Iraq. It wasn't about selling a dozen cars, or even a hundred, it was a thousand-car war where security would become the ultimate product.
This film is a glimpse of the traditional life of the Afghan people, their culture and their music, just before the Russian intervention in 1979.
The mission: Capture US and NATO forces on camera giving food, water, clothing, blankets, and medical supplies to widows and orphans in refugee camps and villages of Afghanistan.
In March 2001, the ruling Taliban destroyed Afghanistan's foremost tourist attraction, the 1600 year-old Buddhas of Bamiyan. This film follows the story of one of the refugees who now lives among the ruins….an eight-year-old boy named Mir.
Dr. Robert Ballard of Woods Hole Oceanographic Institute and his research team become the first undersea explorers to locate, photograph, and explore the wreckage of the ill-fated HMS Titanic, which sank on its maiden voyage 2 1/2 mile deep in the icy waters of the Atlantic in 1912, taking 1500 passengers and crew with it to a watery grave. Utilizing dazzling state-of-the art equipment and cutting edge expertise they record the decaying remains of the ocean liner once thought "unsinkable."
Jung is a narrative documentary that follows the human and professional adventure of its protagonists, the Afghan people in the midst of civil war.
Documentary that follows the men and women whose job it was to pack up Britain's Camp Bastion base in Afghanistan.
A documentary that reveals the underbelly of the global aid and investment industry. It's a complex web of interests that span the earth from powerful nations and multinational corporations to tribal and village leaders. This documentary offers unique insights into a multi-billion dollar world by investigating how aid dollars are spent.
When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.
Since 15 August 2021, the day the Taliban took power, women in Afghanistan have been suffering from a gender apartheid that is unique in the world. Only Radio Begum gives them hope: Radio Begum broadcasts school radio programmes by women for women, albeit under strict Taliban control.
The four Afghan refugees who have applied for asylum in Austria strike up the song, “The caravan moves on” again and again. Encouraged by the journalist Lucy Ashton to record their lives on their smartphone cameras as a video diary, the friends film their precarious daily routine between visits to authorities, small jobs, and changing accommodations. Yet even when hope is lost, one certainty remains: the power of friendship.