Social & External
The Making of a Dream is a cinematic essay on stories of dancers. It shows joys and pains from the first steps in an amateur school to the goal to become a principal dancer in a world known ballet company.
In 1906, Dr. Morgenthaler, a psychiatrist at Bern Psychiatric Hospital, started to collect and photograph the drawings, paintings and various objects designed by his patients. This collection of works by schizophrenic artists would later prove an important contribution to art history and the history of "Art Brut" or "Outsider Art": work by artists who have been deemed obsessive, mentally or psychologically ill, or otherwise "abnormal."
Amidst the chaos of modern China, where megacities spring up at a dizzying pace, Swiss photographer Andreas Seibert has chosen to document the lives of the "mingong," the migrant workers who fuel the country's economic engine. Director Villi Hermann followed him in this endeavor for several years, immersing us in the photographer's eye and capturing the essence of his work on these forgotten souls. Seibert, with his lens, and Hermann, with his camera, weave together a poignant narrative that sheds light on the often-hidden reality of China's economic growth. "From Somewhere to Nowhere" is an ode to humanity in an ever-changing world, a reflection on the individual's place in the grand scheme of things, and a celebration of the power of photography as a means to capture the spirit of an era.
The revealing life story of Güli Dogan conveys impressively and in exemplary pictures the long and difficult path of a successful integration. Between the Worlds is the portrait of a woman who is very well integrated professionally and socially in Switzerland, but who is emotionally strongly connected to her village, which hardly exists anymore.
Thirty female prisoners share the convicts’ ward of Tuilière Prison at Lonay. More than half of them have one or more children being raised elsewhere: with a sister, in a foster family, or – further away still – in their countries of origin. In portraying some of these women, the film sheds light on these mothers and the bond that ties them to their children.
Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.
The Jean Tinguely Museum in Basel, Switzerland, designed by Mario Botta, opened in 1996, five years after the Swiss sculptor's death. META MECANO is a poetic depiction of the genesis of this mono-graphic museum, from the builders' first plans and Mario Botta's designs to its construction and the assembly of Tinguely's fragile mobile sculptures. In interviews with Mario Botta, Tinguely's wife Niki de Saint Phalle, museum director Pontus Hultén and Tinguely himself, the film goes on to explore the mission of museums and of art in general today. META MECANO is a unique document on the significance of the artist Jean Tinguely and on the role that museums play in our day and age.
A true pioneer of Swiss cinema, Isa Hesse-Rabinovitch (1917-2003) followed an unusual path throughout her life. The daughter of Judeo-Russian immigrants, she grew up in Zurich. She married a son of Hermann Hesse, with whom she had three children. Influenced by the artistic work of her parents, she worked as an illustrator, then as a reporter and photographer, always mindful of her independence. At the age of fifty, she began making films. Her first experimental shorts immediately earned her invitations to various film festivals and a resounding response abroad.
From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.
Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.
