Documentary on famous writer Marguerite Duras and her paradoxical relation to the seventh art by her former film editor.
Social & External
The people behind it
Marguerite Duras
self (archive footage)
Melvil Poupaud
Bruno Nuytten
Nahuel Pérez Biscayart
Benoît Jacquot
Jeanne Balibar
Voice over for Marguerite Duras texts
Gérard Depardieu
Self [archive footage]
Delphine Seyrig
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Jean Gabin took his first steps in cinema in the 1930s and quickly rose to fame thanks to his striking naturalness. Having become a star, he made his mark in the most famous French films, first by playing magnificent thugs or characters with tragic destinies, then by imprinting his characters with his aura, his legendary wit, and his charisma that commanded respect. An exceptional actor, he became one of the great names of French cinema and continued to build his legend, working with the greatest filmmakers (Grangier, Verneuil, Delannoy) and alongside prestigious actors (Bernard Blier, Lino Ventura, Louis de Funès, Alain Delon, Jean-Paul Belmondo).
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I had heard of a Chilean painter, author of a thousand paintings, who had disappeared long ago. I had been given an address on the banks of the Loire, at number 640 of a road that no longer existed. No one had been here for decades. Everything had remained there, as if someone had fled.
Dante Alighieri was a poet, philosopher and politician in 1300 Florence. The visionary author of "Inferno", the first book of the "Divine Comedy", he was both a direct witness and a narrator of his times and his poem is a remarkable geopolitical chronicle of a tumultuous period of the Middle Ages from 1300 to 1320, a time when Kings, Popes, rulers and warlords played a deadly chess game for the control of Europe. In this high end docudrama, some of the world's finest scholars will help provide historical context to the unfolding of events, making them accessible to a wide audience, and giving us a privileged viewpoint over one of the most eventful and funding chapters of European history.
As admired as he was controversial, Sade is a doubly scandalous figure: through his actions and his writings, veritable catalogues of sexual perversions. Imprisoned in the 18th century, vilified, condemned to clandestine publications, "the divine marquis" has become synonymous with a condemned sexual practice: sadism. Sade, however, would be partially rehabilitated, would greatly influence French intellectuals, and would be lauded by the greatest figures: from Baudelaire to Giacometti, from Pasolini to Simone de Beauvoir. Today, some even go so far as to consider Sade a feminist figure. To mark the acquisition of the manuscript of "The 120 Days of Sodom" by the National Library of France, "Le Doc Stupéfiant" offers a unique portrait of a libertine without limits.
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In the 70s, Amanda Lear was a disco queen, pop icon, model and world star. She enchanted Paco Rabanne, Andy Warhol, Bryan Ferry and David Bowie. She lived with Salvador Dalí and went out with Brian Jones of the Rolling Stones. A born performer, with legendary mystique and charm, she kept her true self hidden behind numerous faces. From Bowie to Berlusconi, from London to Paris: the story of Amanda Lear is also a story of the second half of the 20th century.
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