The arrogant Hua Pozi, the first-time brother who is full of joy. Even the seemingly greasy, exaggerated, and gaudy drum art seems to be unrelenting in the villages and villages.
Social & External
The people behind it
Workers wrongfully dismissed wage battle against their employer, China Telecom. Incorporating artistic means of expression such as photography and theater, various artists wage extraordinary performances with the workers in the film, in solidarity with their struggles.
A documentary about government machinations and family conflict as development raises its head in an isolated country enclave of China.
Several boys who are about to graduate live in the 2006 dormitory. All-day long eating, chatting, playing cards, and playing with mobile phones, to kill their youth, just to get a high school diploma. Finally, I graduated from high school, but where is the future? Go to work or continue to join a college? Facing such students, it is difficult for teachers to show enthusiasm for teaching. Only Teacher Hou carefully wiped the bulletin board , as always. The original site of Duancun Middle School in Pingyao County was an ancient temple in the Ming Dynasty. In the summer of 2011, more than 150 students from the school merged with two other high schools and moved into the new school in the city. Grass grows on the playground, and the gatekeeper Laomi and his family continue to live in the teaching building.
The film is composed of clips of footage shot in 2010-2015. The first clip: filmed in 2015, the daily study and life of Datong Youzai Primary School. The second clip: filmed in 2013, the state of the city of Taixing Daxing civil engineering transformation. The third clip: filmed for 2010-2013, on the eve of graduation and the last youth moments passing by. Fourth clip: filmed for 2010, the time we spent in a rental house during the summer vacation.
Hakka, a special and little-known ethnic group in Hainan, is a branch of the Chinese Hakka system that has been neglected. They are far from the mainland, and they are rarely mentioned. The relatively closed environment has allowed the Central Plains culture to be completely preserved. After that, it has formed a special change with the ethnic minorities such as Li Miao. However, this unique traditional culture is now fading away in the erosion of modern civilization.
The story took place in 2008. Henan Guo Hui, who was a harvester, went to the provinces to harvest wheat for him. He and his father then invited a driver and set off. I went to Shanxi, Shaanxi, and also included Henan. They met other mairs to talk about the earthquake in Sichuan and talk about the difficulties of collecting wheat. Bargaining with the farmers, thinking of the law less to give the leader a little commission, sometimes to think of the way to get money, sometimes to think of ways to escape the control of the leader. The driver complained that the car owner was too bad, and the owner complained that the driver had eaten too much. In the middle of the road, I also encountered the need to collect the toll, and finally met the young and confused.
Hyacinthine Scar condenses the undigested emotions in me while traveling from Hong Kong to my brother’s wedding in Guam. Presences and gazes of all sorts, to look and to be looked at, repetitive camera work of the hired videographers, the vow that is rehearsed over and over again by the priest, all the uncontrollable clickings of the shutter from all us (including myself), and the endless sightings of different sides of the fragmented Western Pacific. The many spots I visited appear as though they belong to passersby. They are as real as they are dreamy.
In the Chinese New Year of 2017, Solar and I went together to visit David Zhang who was practicing kung fu on Wudang Mountain. As the three of us interacted, we observed and looked after each other. We also filmed each other to document and reconstruct this experience of listening to each other and growing up.
A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.
In order to face his 30th birthday, the author of the film began to implement a long-planned plan for the Dragon Boat Festival, bringing a dog, a computer, some vegetables and eggs to the dilapidated yard on the north side of the mountain in Pingyao County, where he will live alone for more than a dozen. Day and night, organize and pack the first half of my life, recall and think, talk with the self in the device, and smoke, silence, think or sing with the middle-aged neurotic who comes to ask for cigarettes every day.
The film records a middle-aged woman Han Mei who longs for life. In the fight against the disease, the experience makes her redefine the meaning of life...
The film records a long journey by Guo Kuan and his friends, as well as a post-cycling biography. The changes in Dali after one year, and the hurried passing by around. These subtly melt into life, and then there is this instinct documentary that needs to be expressed.
The documentary Building Archeology (jiànzhú kǎo) (2011) considers the more recent past. It’s made up of three vignettes about different buildings in Beijing: a museum, an abandoned hospital, and a detention center. The latter two vignettes are especially interesting. In the second, a woman wanders around the ruins of a hospital built in a week to deal with the 2003 SARS outbreak. The third concerns a former prisoner, tracing out a map of the detention center where he was held in 2011.
This is the fourth film in my Zoujiacun series within the Folk Memory Project. In 2013, I came back to my village and faced the trash all over the village. The children and I tried to improve the environment of our village. This was a tough fight against the trash and ideas of villagers. I felt like that the trash was in my heart. The 95-year-old grandma Sha and her 49-year-old son Xizhu, their lonely solitary life is also in this film. This film is about the progress that I fight with myself.
This is my fifth time coming back to my own village, where I was born and brought up. After I graduated from college, when I was staying in my village, I was always suspected and judged by the village people. Xizhu grandpa was called ‘fool’ by other villagers, and Zengxiang aunty was looked down by others. They come into my life, and I stayed with them. Their naïve and strange thought made think about my village in a new way. In this quite ‘normal’ village, who are normal people? In those normal people’s eyes, am I another fool of this village?
This film mainly records the story of two adolescent children receiving primary education of Peking Opera in Shanghai Opera School in a documentary form. As they are in their adolescence, they gradually form their own plans and ideals for the future. On this unusual learning path, they face the problem of choice between reality and ideals, and gradually learn to accept and grow up.
"Mazu" or "The Sea God" has been the most important religious belief of ordinary people in my hometown for four hundred years. Along the coast of China and even in the Nanyang region, there is at least one temple dedicated to Mazu in various seaside cities-this geographical and historical distribution coincides with the contemporary economic or industrial area of Chinese society. It is frustrating that rapid economic development has led to global warming. The factories located on the coast of southern China from all over the world will eventually cause flooding and inundate these temples dedicated to Mazu. This is indeed a very ironic discovery for our civilization, "We", not only Chinese or all human beings, now or in the past, how can we Chinese avoid this upcoming tragedy?
In the autumn of 2010, the poet Xiaozhao set off from Beijing and took a national tour of his personal poem collection "My Hope is on the Road" printed at a print shop. All the way up and down, full of ambition. Photographer Zhuang Ruijie went to Guangdong halfway to shoot. He recorded a trip to Guangzhou, Shenzhen, Chengdu, Shaanxi Shanyang, Huashan, Zhongnanshan, Xi'an and returned to Beijing for about 15 days.
“My Life Against Taiwan Sotofuku – 1891~1931” is Taiwan’s first biographical animated documentary. The film combines animation, archival photos, footage, and sound theater to recreate the heroic epic of CHIANG Wei-shui, the “the Savior of Taiwanese People,” during Japan’s colonial rule of Taiwan. Through first-person flashback narrations, Taiwan’s pioneer revolutionary CHIANG Wei-shui tells the turbulent tale of the rise and fall of Taiwan’s non-violent anti-Japanese movements, as well as a lifetime of remarkable resistance against Taiwan Sotofuku (Japan’s colonial government). Cast
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
Interviews with leading authors, philosophers and scientists, with an in-depth discussion of the Law of Attraction. The audience is shown how they can learn and use 'The Secret' in their everyday lives.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
Ranjit, a farmer in India, takes on the fight of his life when he demands justice for his 13-year-old daughter, the victim of a brutal gang rape. His decision to support his daughter is virtually unheard of, and his journey unprecedented.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
Rising musician Jeff Buckley had only released one album when he died suddenly in 1997. Now, never-before-seen footage, exclusive voice messages, and accounts from those closest to him offer a portrait of the captivating singer.
The Captains is a feature-length documentary film written and directed by William Shatner. The film follows Shatner as he interviews the other actors who have portrayed starship captains in the Star Trek franchise.
A candid look at rehearsal footage in support of a focus on pre-viz.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
The life and career of one of comedy's most inimitable modern voices, Mr. Gilbert Gottfried.
A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon as he takes his live podcast on a national tour.
14-year-old Laura Dekker sets out on a two-year voyage in pursuit of her dream to become the youngest person ever to sail around the world alone.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
The Official Golden Harvest tribute to the Master of the Martial Arts Film, Bruce Lee.