Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.
Social & External
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
Three men enter the new wild west of baby making, online forums where sperm donors connect with hopeful parents, but find themselves exchanging more than just genetic material.
In America, the prison system has become a place of retribution, not restoration. Inmates are often treated as sub-human, and often find themselves feeling hopeless. But a small midwest college decides to give inmates an opportunity to earn a bachelor's degree. Experience the journey of the resilient inmates as they fight incredible odds to change their lives – and change the system.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.
The Jackass crew, along with some newcomers, returns for one final round of hilarious, absurd, and dangerous stunts.
Vini Jr. has it all: talent, resilience and boldness. Follow his dancing, unpredictable feet on his inspiring journey to becoming a global soccer star.
Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.
IRIS pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how, even in Iris’ dotage, a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment.
A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
Black holes stand at the limit of what we can know. To explore that edge of knowledge, the Event Horizon Telescope links observatories across the world to simulate an earth-sized instrument. With this tool the team pursues the first-ever picture of a black hole, resulting in an image seen by billions of people in April 2019. Meanwhile, Hawking and his team attack the black hole paradox at the heart of theoretical physics—Do predictive laws still function, even in these massive distortions of space and time? Weaving them together is a third strand, philosophical and exploratory using expressive animation. “Edge” is about practicing science at the highest level, a film where observation, theory, and philosophy combine to grasp these most mysterious objects.
Two legends contested their identities as women in the court of public opinion: April Ashley, who was immortalized as a trailblazer by embracing her transgender history; and Amanda Lear, who has consciously denied and obfuscated her history for decades. Their divergent paths reveal disparate but intertwined legacies.
A strange story from Somerset, England about a filmmaking farmer and the inspiring legacy of his long-lost home movies.
Estamira is a 63-year-old woman who suffers from schizophrenia. She leads a tough life and has supported herself for the past 20 years by picking through garbage at the Jardim Gramacho Disposal Area in Rio de Janeiro. The film follows her starting in 2000, the year she begins treatment in a psychiatric clinic. At first, it is hard to understand her in her stream-of-consciousness sentences, delusions and obsessions. Gradually, however, we get to know her as a woman who can have quiet and lucid moments despite her illness.
Jyire holds a motocross race in his hometown, where he must adhere to the park’s restrictions and drown out the public’s concern.
A 1970 projection of what may come when pollution over powers nature.
Ting’s first feature is a monumental documentation of a large-scale HDB (Housing and Development Board) flat in Jurong by portrayal of its corridors and interior balconies. The film seamlessly scales the building from bottom to top, traversing every available 'public' space in its ascent. Shot just before sunrise with few inhabitants to be seen, the film becomes solely occupied with the interplay between camera and architecture – the shifting tones, lights and shapes that emerge from movement. The soundtrack is derived from a live performance by Balbalab during the world premiere of the film at the Singapore International Film Festival on 28 November 2016. Balbalab is a collective of experimental musicians from Singapore exploring a variety of strategies toward electroacoustic improvisation. Their sonorous response uses field recordings mined from the same HDB block and then cut up, processed, and reassembled.
A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.
Emma's parents are going to divorce, but before that the family goes on holiday to the countryside. Emma is left alone when the parents just arguing and moving to another room. Soon she discovers that there is something mysterious about the room when a typewriter starts writing a message by itself...
Four segments that breakdown the filmmaking process of Crimson Peak.
A young woman spends much of her time fantasizing about what might be, but a realistic admirer tries to convince her to live the life she has.
A series of collective dreams of a transworldly being visits a myriad of characters, revealing their subconscious desires.
Skillful makers help show the rich traditions and elaborate productions behind cheese, beloved -and devoured- around the globe.
A street scene showing parade of the entire Buffalo Police Department, 16 men abreast, with military band.
Growing up with a dark past and a simple dream: to make his mother happy, Damar had to 'fight' against himself in order to become a good teenager.
The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.
Fabrizio, a poor thief from the Roman suburbs, finally has in his hands the man who ruined his life: James Bond.
A grieving young inventor finds solace in repairing an antique typewriter.