Social & External
Self
At the forests of Östergötland, where land meets sea, rests the old castle Herrborum. Here lives count Magnus Stenbock, 92, according to his own ideas about what is appropriate and what is not. Film-maker Helena Nygren is fascinated by the count and the castle, and is allowed to film on the condition that she takes the role of companion lady. Over one year, Helena returns several times to take part of count Magnus Stenbock and his servants life on castle Herrborum in Östergötland. Time stands still on the castle, and in the movie Helena wants to preserve the fairy tale feeling she gets when she steps into these ancient surroundings. The count is a strong personality with strong opinions and a great interest in history. All kinds of people come to his castle to savor the special atmosphere and follow the old fashioned rules of etiquette. Helena transforms from an observer to a lady who participates in the social games on the estate, where everything moves around its own time axis.
Frank, a native New Yorker, inherits his ancestral estate, Castle Kostka, and returns to the Czech Republic with his daughter Maria and wife Vivien after over forty years abroad. They find the castle in gradual decay, inhabited only by the long-slumbering steward Josef, housekeeper Mrs. Tichá, and hypochondriac handyman Krása. As the staff slowly awakens from the post-revolutionary 1990s inertia, Frank’s family faces a difficult decision: sell the dilapidated property and return to America or undertake the challenge of restoring Castle Kostka.
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Adrian Messenger, a famous writer, asks his friend Anthony Gethryn, a former British agent, to help him investigate the whereabouts of the people who appear on a list, without asking him the reason why he should do so.
This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.
The head of a failing French family thinks that fate has smiled down on him when the daughter of a wealthy man agrees to be married to his son. The daughter and her aunt then travel out to the French countryside to meet with the family, unaware that a mysterious 'beast' is stalking the vicinity.
Ma-nim (Kim Jeong-ah-II) becomes a widow after her husband dies from sickness and she arrives at Bukgando to get remarried. Her new husband is a handsome and wealthy man but he is killed by a Japanese even before she spends a night with him. Ma-nim is alone in the big house once again. Everyone by her husband's side leaves and only the grandfather and slave named Bau are left behind. One day, Ma-nim notices that Bau has a way of staring at her and she is overcome by a strange feeling. She'd to oppress her desires as a woman because of her two short marriages and strict identity. Bau had never made love with a woman before but she didn't mind his gaze on her. The two of them start a forbidden love behind grandfather's back...
Suryono comes from Solo and is of royal descent. Jeannette a beautiful woman from France. Suryono took Jeannette to his hometown of Solo and finally got married, even though the marriage was not approved by Suryono's mother. The love between nations broke and Jeanette returned to France. Meanwhile Suryono, who was lonely, managed to ravish his servant, Trimah.
Police Commissioner Jules Maigret returns to the small village where he spent his childhood at the request of the Countess of Saint-Fiacre, who has received a disturbing anonymous letter.
Mr. and Mrs. Gyurkovics have a dozen children the oldest of which, the twins Géza and Bandi, just preparing for their matriculation examination. When graduation day has come Géza refuses to set up but taken by force by the principal's henchmen. When dad Gyurkovics later dies, takes over Bandi goods while Géza becoming an officer cadet in the nearby garrison city.
Vigàta, Sicily, Italy, 1880. Shortly after the return to the village of Fofò La Matina, pharmacist and son of the late Santo La Matina, jealous guardian of the secrets of certain miraculous plants, the noble Peluso family is ravaged by a series of mysterious deaths…
Bojan Krkic has had success in the palm of his hand, but the difficulties encountered by a precocious and sensitive talent like him have marked his career since he made his debut with FC Barcelona at the age of 16. Bojan is a clear example of the pressure to which young talents in sport are subjected.
Bohumil Modrý, the best hockey goalie in the world, who significantly contributed to the first international successes of Czechoslovak hockey after World War II. In 1948, he was offered a job in the NHL, but his stellar sports career and happy family life were destroyed by a trumped-up political trial in 1950. He died prematurely in 1963 at the age of 46 from the effects of imprisonment and radiation.
“The True Biography of Nikita Mikhalkov” is the story of one of the most famous Russian directors (and one of the most adored actors by the public), told unbiasedly - that is, not from the words of Mikhalkov himself.
Ania and Bartek, two stuttering teenagers undergoing speech therapy, are learning to like themselves and stop being afraid.
In a retirement home in a small village in the south of France, residents try to build a community. What ties can they still manage to forge in this anonymous environment often perceived as hostile?
The story of the Los Angeles 'Kiss or Kill' music scene (2002-2007). Fed up with the wretched Sunset Strip pay-for-play policies, 'too cool for school' trendiness of the Silverlake scene and apathetic crowds, the bands that made up Kiss or Kill forged their own scene based on great music, cheap booze, low cover, and a mid-western sense of community and friendship. At it's peak, Kiss or Kill had more than 60 bands in its roster and over 1,000 local L.A. fans. But as Kiss or Kill grew and became more popular, it fell victim to the same 'venue-isms' of other L.A. clubs and eventually became the very thing it was fighting against.
Silvia and Birgit have never met, but they live similar lives: both work over 15 hours a day and give everything to their regular customers. For decades, they have been the proud owners of their own “Trinkhalle” in the deepest Ruhr area.
The Soviet advance met with fierce, idealistic resistance. We join the hundreds of students as they man barricades constructed from overturned lorries to try to halt the advance. Sparsely armed, they fight fiercely, driven by a belief in their new and better socialism. But the deadening, inevitable weight of Soviet might soon stamps its boot across this hopeful Czech vision. Over 100 people died in the reprisals which followed, and tens of thousands fled their homes for the West. This is the definitive story of the heady days before Soviet "normalisation" took hold. The film was assembled using footage smuggled out of Prague. What began as an account of the liberation of a people, became a documentary of oppression; as the tanks moved in, the cameras simply continued rolling.
Documentary that frames gun violence as a Disaster and Public Health issue by taking an in depth look at how one shooting impacts individuals, families and communities, while also giving voice to the questions and insights that arise from these conversations. In the documentary, all those scarred by gun violence eventually arrived at the same question: "Why...Why did this happen to us?" After looking at these in depth experiences of gun violence "Trigger turns its attention to the bigger question: "What can we do to prevent gun violence?"
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